While this doesn’t detract from the mic performance, it’s mildly irritating when pointed toward the eyes.Īlso, the included tripod base has plastic threads so it’s not going to withstand a great deal of abuse or mis-threading. Drop any small object on a dark studio floor and you can quite effectively use that blue light to find it. It’s so bright, however, that you can literally use it as a small flashlight. When you plug the unit in via USB, a brilliant blue LED lights up on the handle. As with any unidirectional mic, keeping it pointed at the sound source is still important. While there is no substitute for a quiet, controlled recording environment, the directionality of the mic will help you pick up more of the sounds you want and less of those you don’t. The cardioid pattern is tight, leaving most noise from the sides and rear hard pressed to get into your recordings. Unless you need to record sounds at the extreme highs or lows of the human hearing range, this mic should do the job just fine. ![]() This allows for a good pickup of vocals and sounds, deep or high. The frequency response is good between 50 and 15,000 Hertz, with a slight increase above 2,000 Hertz. So the ATR2100 is quite the versatile mic, but how does it sound? Simply put, it sounds great. Use the dial on the bottom of the mic to keep the headphone output volume at just the right level. ![]() Plug in any 1/8-inch jack headphones and you or your talent can monitor the mic recording without any annoying delay. In the studio, the headphones monitoring feature can come in handy. On a cautionary note, for video shooters whose cameras lack XLR ports, a little creative adapter work might be in order. The on/off switch also functions for XLR connections the same as USB ones. As such, it doesn’t add an extra drain to your batteries or require phantom power to perform. When connected to an XLR sound mixer or to an XLR capable camcorder, the mic continues to operate as a dynamic mic. The manual is actually very helpful and has simple and illustrated instructions covering input configuration for each of these operating systems. What’s even better is it is completely compatible with Windows XP, Vista and Windows 7 as well as Mac OS X. With the ATR2100 the connection is extremely simple via USB. Usually, it takes some effort, not to mention some spare cash, to get an XLR mic to work live with any computer. What sets this mic stand apart from the competition is its capability for many different connections. The mic has a rugged metal exterior, fits in the hand quite nicely and weighs just more than half a pound, giving it a professional feel without the certainty of arm fatigue. ![]() The mic holder is also compatible with standard mic stand threads. Instead of a lone XLR connection, this mic sports a Mini-B USB port, a standard three pin XLR male connector and a 1/8-inch headphone jack with a volume control dial.Ī 10-foot XLR female to male cable, a near seven-foot USB cord, a mic holder and a small desktop mic stand with folding legs are conveniently included in the box. On the bottom of the unit is where it becomes strikingly different. It could easily fit a standard foam windscreen for windy days or as a pop filter. It has a dark gray grille at the top and a non-reflective silver grip with an on/off switch on the side. The ATR2100 looks deceptively like many other handheld mics. And whether you plug it into a sound studio computer, a mixer at a live stage performance or a camera for handheld interviews, the ATR2100-USB helps add that special icing to your project. The first step in capturing good audio is finding a quality microphone. When it’s bad, it ruins the whole experience. When it’s good, it adds an incredible amount of flavor. Audio is easily 50 percent of most video productions.
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